Here are 231 mehndi designs (also spelled mehendi), from a ten-minute palm flower to bridal sets that run from fingertips to elbows. Each design shows where it goes, roughly how long it takes and how hard it is, so you can pick one to try at home or show your mehndi artist. Use the filters to narrow the list, or jump straight to a style.
Start here if you are new to mehndi. These palm designs use one or two motifs and plenty of open skin, so a small wobble is easy to hide. Practise the main flower on paper first, then on your own palm.
A single round flower blooms in the centre of the palm, its petals traced in one clean stroke around a small filled bud. Every fingertip is filled solid, and a thin band circles each finger just below it, so the eye travels from the tips back to the flower. Plenty of bare skin keeps it light enough for an everyday look.
For: Any festival, Office, College
Five small flowers climb in a neat line from the wrist to the tip of the index finger, each slightly smaller than the one before. Tiny dots between the blooms keep the trail connected without crowding it. The diagonal flatters the palm, and once the flower shape is mastered it takes only a few minutes.
For: Any festival, Office, College
A semicircle of small pointed leaves sits just above the wrist like a crown at the base of the palm. The leaves fan out from a curved line, each finished with a dot at its tip. Dotted fingertips echo the crown, and the open palm between them keeps the whole design airy.
For: Any festival, Office, College
Short rows of dots run up each finger like strings of tiny beads, stopping just below the tips. A single small flower in the middle of the palm ties them together. Because almost every element is a dot, it is one of the easiest patterns to practise on your own hand.
For: Any festival, Office, College
An outlined heart sits in the centre of the palm, left open inside so the skin glows through once the colour darkens. Two fine vines curl from its top, each ending in a tiny leaf. It is sweet and simple, a natural pick for college days, birthdays and first-time mehndi.
For: Any festival, Office, College
A small round sun fills the centre of the palm, with straight rays spaced evenly around it. The fingers stay plain apart from neat filled tips. The contrast between the busy sun and the bare fingers is what makes this tiny design stand out.
For: Any festival, Office, College
The back of the hand is what people see when you greet them and in most photos. These designs range from a single vine to lace work across the knuckles. Henna usually stains lighter here than on the palm, so slightly bolder lines read better.
A graceful leaf vine sweeps diagonally across the back of the hand from the index finger to the wrist. Fine rosebuds sit along the stem, with small lace accents tucked between the leaves. Open skin around the vine keeps it delicate, so it suits a kurta as easily as a lehenga.
For: Wedding, Engagement, Festival
A layered rosette takes centre stage on the back of the hand, its petals built up in rings with fine detail inside each layer. Open lace panels run up the fingers in the same style, while the knuckles stay light. The finished look is like a piece of hand jewellery drawn in henna.
For: Wedding, Engagement, Festival
Three rosettes in graduated sizes sweep across the knuckles, largest by the index finger and smallest by the little finger. Fine paisley curls and slim leaves link them into one flowing line. It frames the hand beautifully in photos where you are holding a cup or a bouquet.
For: Wedding, Engagement, Festival
A lace bracelet circles the wrist, and a botanical chain rises from it to a ring on the middle finger. In the centre of the back of the hand, the chain opens into a leaf medallion that sits like the pendant of a haathphool. Leaving the rest of the hand bare makes the jewellery effect unmistakable.
For: Wedding, Engagement, Festival
A trail of small flowers and paisleys starts at the tip of the little finger and curls down the outer edge of the hand to the wrist. Fine leaves fill the curves between the motifs. Keeping the design to one edge gives a modern side-on look that shows off well when the hand is turned.
For: Wedding, Engagement, Festival
A square medallion sits in the centre of the back of the hand, filled with fine crossing lattice. A small leaf points out from each corner, turning the square into a four-pointed star. Clean edges and open skin around it give the design a crisp, polished finish.
For: Wedding, Engagement, Festival
Two fine vines start on neighbouring fingers and flow side by side toward the wrist. Small flowers and lace details sit along both stems, echoing each other loosely rather than exactly. The narrow strip of bare skin between the vines is what makes this design feel so light.
For: Wedding, Engagement, Festival
A patterned cuff wraps the wrist, and three fingertips carry matching lace panels. A light trail of dots and leaves links the cuff to the fingers across the back of the hand. The centre stays open, so the design frames the hand rather than covering it.
For: Wedding, Engagement, Festival
A flowing arabesque swirl curves across the back of the hand in one continuous movement. Fine leaves and tiny floral filigree branch from the curve, growing smaller toward its ends. It has the energy of Arabic mehndi with a softer, lace-like finish.
For: Wedding, Engagement, Festival
A small circular rosette sits on each knuckle, with a dotted centre and a ring of tiny petals. Delicate dotted lace links one rosette to the next in a gentle arc. Together they look like a fine bracelet worn across the knuckles.
For: Wedding, Engagement, Festival
Fine fern fronds run up the backs of the fingers, each drawn with tiny paired leaflets. Patterned bands at the base of the fingers tie the set together. The back of the hand stays bare, letting the fingers carry all the detail.
For: Wedding, Engagement, Festival
Small petal fans rise from the base of each finger and open upward like miniature peacock tails. Fine lace and beaded edging trace the outline of every fan. The detail sits exactly where rings would, so it works for daily wear as well as small functions.
For: Wedding, Engagement, Festival
Each finger carries its own dotted lace pattern, with tiny dots arranged in scallops and short rows. The back of the hand is left completely bare. It is quick and neat, ideal when you want mehndi that peeks out from your sleeves without covering much.
For: Any festival, Karwa Chauth, Office
An ornamental floral medallion fills the centre of the back of the hand, built from scalloped petals and rows of pearl-like dots. A border of delicate leaf lace frames its outer edge. It makes a single rich statement while still leaving plenty of skin around it.
For: Wedding, Engagement, Festival
The thumb and index fingertips are decorated with cutwork panels, where small flowers and geometric shapes are left as bare skin inside a filled outline. Nothing else on the hand is decorated. It is a striking minimal choice for anyone who loves detailed work in a small space.
For: Wedding, Engagement, Festival
A slender lace band circles the wrist, and a layered flower hangs from it like a pendant just above the wrist bone. The flower has two or three rings of petals around a dotted centre. Worn alone it reads as jewellery, and it pairs well with a bangle on the other hand.
For: Wedding, Engagement, Festival
A fan of ornamental leaves rises above the wrist, each leaf drawn with fine veins and small open curls. A scalloped base line holds the fan together like a brooch. It is compact enough to finish in a few minutes before you head out.
For: Wedding, Engagement, Festival
A layered rosette sits near the base of the thumb, framed by a small paisley on one side and tapering leaf curls on the other. The rest of the back of the hand is left open. Placing the design in the corner gives it an elegant off-centre balance.
For: Wedding, Engagement, Festival
Arabic mehndi uses bold flowers and leaves in a flowing diagonal, with open skin between them. Indo-Arabic designs mix that trail with Indian fillers such as jaali and paisley. Most finish faster than a traditional full hand.
Three bold flowers and alternating leaves flow in a diagonal from the tip of the index finger down to the wrist. The petals are outlined thickly, with a touch of shading near their bases. This is the classic Arabic look: big motifs, clear gaps and lots of open skin.
For: Eid, Wedding guest, Party
Large flowers sit in a loose diagonal across the back of the hand, each petal shaded softly from its base toward the edge. Leaves sweep out between the blooms to keep the line moving. The shading adds depth, so the design looks rich even though it covers only part of the hand.
For: Eid, Wedding guest, Party
Bold leaves tumble in a cascade from two fingers toward the wrist, overlapping slightly like a hanging creeper. Some leaves are filled and others left as outlines, which gives the cascade rhythm. It is quick to apply and dries into a striking dark pattern.
For: Eid, Wedding guest, Party
A single open flower sits on the index finger, and a trail of leaves and small buds runs from it down to the wrist. The trail curves gently instead of running straight. It looks complete with very little work, which makes it a favourite last-minute Arabic design.
For: Eid, Wedding guest, Party
Bold flowers are spaced across the back of the hand and joined by fine lines of dots. The dots soften the gaps between the large motifs without filling them in. It balances strong shapes with an airy finish.
For: Eid, Wedding guest, Party
Two open-outline flowers are joined by one narrow stem with small leaves along its length. The gaps between the motifs are kept wide, so each flower stands out clearly. Its simple structure makes it an ideal first Arabic design to try.
For: Eid, Wedding guest, Party
Thick-outlined roses run in a diagonal across the back of the hand, their petals spiralling tighter toward each centre. Pointed leaves sit between the roses. The heavy outlines turn deep and dark once the paste comes off, giving a bold result for weddings and receptions.
For: Eid, Wedding guest, Sangeet
Flowers and leaves flow across the back of the hand in a gentle S-curve, from one finger to the opposite side of the wrist. The curve gives the design a sense of movement, almost like a ribbon. Open skin on both sides of the line keeps it graceful.
For: Eid, Wedding guest, Sangeet
Bold Arabic flowers sit in a diagonal, and the spaces between them are filled with a fine jaali net. The contrast between open petals and the dense net makes both stand out. It suits anyone who wants an Arabic look with a little extra detail.
For: Eid, Wedding guest, Sangeet
An Arabic floral diagonal runs down the back of the hand and finishes in a decorative cuff around the wrist. The cuff uses small checks and scallops that repeat the curves of the flowers. It gives the design a tidy edge right where sleeves and bangles sit.
For: Eid, Wedding guest, Sangeet
A floral cascade starts at the wrist and splits near the knuckles, with one branch running up the index finger and the other up the middle finger. Each branch ends in a small closed bud. The fork gives the design an elegant, branching shape.
For: Eid, Wedding guest, Sangeet
Bold roses run in a diagonal across the palm, from the base of the thumb toward the little finger. Each rose has layered petals and a pair of pointed leaves. Open skin on either side lets the design look generous without covering the whole palm.
For: Eid, Wedding guest
Arabic flowers cover one diagonal half of the palm while the other half stays completely bare. The flowers are large and boldly outlined, with leaves tucked between them. The clean dividing line between decorated and bare skin is what makes it so striking.
For: Eid, Wedding guest
Shaded Arabic leaves run up each finger, one or two per finger, darkening softly toward their tips. A single bold flower at the base of the palm grounds them. The fingers carry most of the detail, which keeps the palm itself open.
For: Eid, Wedding guest
Paisleys and flowers alternate along a gently curving line from the wrist up to the index finger. The paisleys hold fine inner detail while the flowers stay bold and open. It blends Arabic boldness with a traditional paisley touch.
For: Eid, Wedding guest
A large flower opens at the base of the palm, and a slim trail of leaves runs from it up a single finger. The flower carries the detail and the trail stays light. It is an easy way to create a design that feels balanced from wrist to fingertip.
For: Eid, Wedding guest
On the back of the hand, Arabic flowers sweep in an open diagonal. Turn the hand over and the palm shows a traditional pattern of checks and paisleys. Seeing both sides together shows how well the two styles complement each other.
For: Wedding guest, Sangeet, Eid
A floral diagonal crosses the back of the hand, while the palm combines similar flowers with a fine jaali net. Shared flower shapes make the two sides feel like one design. It is a popular pick for bridesmaids who want more than a simple pattern.
For: Wedding guest, Sangeet, Eid
A paisley trail curls up the palm, and a rose trail runs along the back of the same hand. The paisleys bring a traditional feel and the roses add Arabic boldness. One sitting gives you two different looks depending on how you hold your hand.
For: Wedding guest, Sangeet, Eid
On the palm side, the fingertips are filled with solid caps in the traditional way. On the back, a single bold Arabic flower sits near the knuckles. It is a quick two-sided design that looks considered from every angle.
For: Wedding guest, Sangeet, Eid
Thick flowers sit on the back of the hand with wide stretches of bare skin between them. Outlines are heavy and petals are filled in solid blocks. This graphic, Gulf-inspired style is quick to apply and very eye-catching.
For: Eid, Party
Large leaves flow in a line across the back of the hand, each filled solid with a thin open vein running down its middle. The line curves from the fingers toward the wrist. It is bold, simple and easy to read even from across a room.
For: Eid, Party
Two thick-outlined flowers sit close together in a compact diagonal, framed by broad rounded leaves. The motifs are large but few, so the hand never looks crowded. It is a confident design for parties and Eid.
For: Eid, Party
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Fine lines, small motifs and lots of bare skin. These suit office days, college and anyone who wants a light look. Minimal does not always mean easy, because steady fine lines take practice.
A single delicate stem grows from the centre of the palm up the ring finger, with tiny leaves drawn in thin lines along it. Nothing else is added. It has the clean, minimalist look many people now prefer to heavy mehndi.
For: Party, College, Wedding guest
Each fingertip carries one phase of the moon, from a thin crescent on the little finger to a full moon on the thumb. The shapes are filled solid, each with a fine outline. It is a small, clever design that always gets noticed.
For: Party, College, Wedding guest
Small dots are scattered from the wrist to the middle finger and joined by thin straight lines, like a constellation on a star map. A few dots are drawn slightly larger to look like the brightest stars. It is minimal, modern and refreshingly different from floral designs.
For: Party, College, Wedding guest
A filled crescent curves across the palm, and an open flower sits inside its curve. The solid crescent and the outlined flower contrast nicely with each other. It looks elegant with both Indian and western outfits.
For: Party, College, Wedding guest
A thin-line triangle sits in the centre of the palm with a single dot inside. Fine straight lines run along two fingers to extend the geometric feel. It is one of the most minimal designs in this collection, made for lovers of clean, modern style.
For: Party, College, Wedding guest
A small sprig of wildflowers grows up from the wrist onto the base of the palm. The stems are fine and the flowers tiny, some open and some still in bud. It looks fresh and natural, a lovely choice for daytime events.
For: Party, College, Wedding guest
Flowers run along only the outer edge of the palm, from the wrist to the little finger. The rest of the palm stays completely bare. The asymmetry feels modern, and it shows beautifully when the hand is held sideways.
For: Party, College, Wedding guest
A fine chain of pearl-like dots runs from the wrist to the middle finger. Halfway along, it opens into a small ornamental flower that sits like the pendant of a necklace. It is the lightest possible take on a haathphool.
For: Wedding, Engagement, Festival
A small layered rose sits on the ring finger, with a fine lace band wrapped just below it. The rest of the hand is left bare. It is perfect for engagements, or for anyone who likes one detailed statement.
For: Wedding, Engagement, Festival
A sculpted crown of three leaves sits on one knuckle, each leaf filled with delicate filigree. A curved line of tiny beads forms the base beneath them. It is tiny but intricate, so it looks special up close.
For: Wedding, Engagement, Festival
A narrow ornamental cuff circles the wrist, combining fine petal lace with a border of pearl-like dots. It sits exactly where a bracelet would. It pairs well with rings, or with bangles worn on the other hand.
For: Wedding, Engagement, Festival
Two neighbouring fingers carry matching chevron lace panels, with tiny leaf and pearl accents tucked into the points of each chevron. The other fingers stay bare. The repeated zigzags give the design a smart, structured look.
For: Wedding, Engagement, Festival
A slender crescent sits near the knuckles like a locket, filled with fine floral filigree. A short trail of tiny stars falls from it toward the wrist. It has a dreamy night-sky mood that suits evening events.
For: Wedding, Engagement, Festival
The back of the hand is filled in, and flower shapes are left as bare skin, so the blossoms appear in reverse. A thin outline keeps each flower crisp against the dark fill. When the colour deepens, the flowers seem to glow out of the henna.
For: Party, Sangeet, Wedding guest
Bold outlined triangles, arcs and half-circles are placed across the back of the hand with almost nothing inside them. The heavy lines do all the work. It looks graphic and contemporary, and it pairs well with western outfits.
For: Party, Sangeet, Wedding guest
Free-flowing lines curve and loop across the back of the hand, with small dots scattered along them like punctuation. There is no fixed motif, so the design feels like an artist's sketch. No two applications ever turn out quite the same.
For: Party, Sangeet, Wedding guest
A half mandala rises from the base of the fingers, and straight parallel lines run from it down to the wrist. The circular petals and the ruler-straight lines play off each other. It gives a traditional motif a sharp, modern finish.
For: Party, Sangeet, Wedding guest
Two boho feathers lie on the back of the hand, their barbs drawn in fine lines. Strings of dots hang from the quills like beads on a thread. It has a free-spirited feel that suits festivals and casual outfits.
For: Party, Sangeet, Wedding guest
One bold patterned stripe cuts diagonally across the back of the hand, filled with small repeating shapes. Everything outside the stripe stays bare. The single band looks deliberate and modern, almost like a tattoo.
For: Party, Sangeet, Wedding guest
Finger designs show off rings and peek out from a sleeve. They are quick to apply, but fresh paste smudges easily on moving fingers, so keep the hand still until it dries.
Leaf stems and open lace panels alternate across the fingers on the palm side, one finger to the next. The rhythm of plain and patterned fingers keeps the hand from looking crowded. It works alone, or as finger detail for a fuller palm.
For: Wedding, Engagement, Festival
Paired leaves climb each finger like the rungs of a ladder, with a fine cutwork border on either side. The repeated structure looks clean and tailored. It shows off long fingers beautifully.
For: Wedding, Engagement, Festival
Fine rings of pearl-like dots circle the fingers, joined by tiny floral links. Together they look like a set of delicate finger jewellery. Real rings sit comfortably alongside it.
For: Wedding, Engagement, Festival
A miniature rosette sits just below each fingertip, wrapped in open petal lace. The rosettes are small but layered, so they reward a close look. A refined choice for small family functions.
For: Wedding, Engagement, Festival
A narrow botanical lace panel runs along the back of the index finger, mixing tiny leaves with open cutwork. No other finger is touched. It is a minimal statement that still shows careful handwork.
For: Wedding, Engagement, Festival
Every fingertip wears a lace cap made of scallops, dots and a fine border at its base. The rest of the hand stays bare. It looks like you have just had a delicate manicure in henna.
For: Any festival, Office
A small checked band sits at the middle joint of each finger, like a row of tiny rings. The checks are drawn with fine crossing lines inside a narrow border. A traditional detail that looks smart all on its own.
For: Any festival, Office
A leafy vine spirals around the index finger from the base to the tip, its leaves alternating as it turns. The rest of the hand stays plain. It looks playful in photos of hands holding a cup or a flower.
For: Any festival, Office
A lace band circles the ring finger with a small flower resting just above it, like a ring with a stone. The rest of the hand stays bare. Subtle and romantic, it suits engagements and anniversaries.
For: Office, Engagement, Any festival
A narrow mandala band wraps the middle finger, built from tiny petals and dots. It sits like a ring at the very centre of the hand. Mandala lovers get their favourite motif in its smallest form.
For: Office, Engagement, Any festival
Wrist bands and haathphool designs copy jewellery: a band at the wrist, often linked to a finger by a chain. They pair well with bangles and a bare palm.
A lotus fan opens from a slender lace cuff onto the base of the palm, its petals spreading wide with fine inner lines. The rest of the palm stays open. It feels calm and graceful, especially for festival mornings.
For: Wedding, Engagement, Festival
An outlined ribbon bow sits at the wrist, and fine floral filigree trails from its tails onto the palm. The loops of the bow are left open. It is cute and elegant at once, perfect for birthdays and parties.
For: Wedding, Engagement, Festival
A lace bracelet circles the wrist, and one thin line runs from it to a ring on the middle finger. The rest of the back of the hand is left bare. It is the classic haathphool, drawn in henna instead of gold.
For: Wedding guest, Sangeet, Party
A single flower blooms in the centre of the back of the hand, joined by fine lines to the wrist and the middle finger. It looks like an ornament resting on the skin. Simple to apply, yet it always looks dressed up.
For: Wedding guest, Sangeet, Party
A bracelet at the wrist sends two fine chains up to two fingers, dotted with tiny beads along the way. The double chain frames the back of the hand. It gives the haathphool a fuller, more festive look.
For: Wedding guest, Sangeet, Party
Dots of slightly different sizes circle the wrist like a string of beads, with a larger dot at regular intervals. Nothing else is added. It takes only a few minutes and goes with any outfit.
For: Wedding guest, Sangeet, Party
A floral cuff wraps the wrist, and a matching small flower ring sits on the ring finger. The two pieces echo each other without being connected. Light and coordinated, it suits engagement ceremonies well.
For: Wedding guest, Sangeet, Party
A wide band layered with checks, scallops and dotted borders wraps the wrist like a broad bangle. Each layer is drawn neatly within its own border. It makes a bold statement while keeping the hand itself bare.
For: Any festival, Office
A narrow lace bracelet with a pearl-dotted edge circles the wrist, and a small open lotus medallion sits at its centre. The lotus faces the back of the hand like a clasp. Delicate and polished, it pairs beautifully with traditional outfits.
For: Wedding, Engagement, Festival
Small flowers bloom one after another all the way around the wrist, with tiny leaves tucked between them. The band looks like a fresh floral bracelet. Cheerful and quick, it is ideal for festivals and family get-togethers.
For: Any festival, Office
Small, playful designs that finish before a child loses interest. Use natural henna only and test a small spot first, since children's skin can be sensitive.
A butterfly with patterned wings flutters on the back of a child's hand, with tiny daisies and a short leafy trail around it. The wings use simple shapes, so they dry quickly. Children love watching the butterfly come out in colour the next morning.
For: Kids, Any festival
Little hearts and stars curve across the back of the hand in a garland, some filled solid and others holding tiny patterns. The design is light and quick. Kids at weddings and festivals adore it.
For: Kids, Any festival
A small daisy charm dangles from a fine patterned bracelet at the wrist. The daisy has rounded petals and a dotted centre. It is quick enough that even restless little ones can sit still for it.
For: Kids, Any festival
A smiling sun centre is ringed with rounded sunflower petals, with a tiny leaf curling from one side. The petals are simple shapes that fit small hands. It is bright, happy and always a hit with children.
For: Kids, Any festival
A little decorative fish swims across the back of the hand, its scales drawn as tiny arcs and its fins patterned. A trail of bubbles rises from its mouth. It is a fun, quick design that kids find delightful.
For: Kids, Any festival
A small songbird perches on a curved branch with a few flowers along it, its wing and tail holding simple patterns. The branch arcs gently across the back of the hand. It looks sweet on small hands and takes only a few minutes.
For: Kids, Any festival
Grouped by motif: mandalas, gol tikki circles, roses, lotuses, leafy bel, paisley (keri), jaali nets and peacocks. Use this section if you already know the motif you want.
A scalloped jharokha arch frames a lotus fan at the base of the palm, with lace edging traced along the arch. The skin above stays open. It brings a hint of Rajasthani architecture to a light palm design.
For: Wedding, Engagement, Festival
Two layered rosettes are stacked in the palm, joined by a fine ribbon of paisleys and leaves. The rosettes carry the detail while the ribbon keeps the line flowing. A balanced, elegant design for festivals and functions.
For: Wedding, Engagement, Festival
A beaded mandala fills the centre of the palm with rings of petals and pearl-like dots, while delicate lace bands decorate the fingers. Open skin is left around the mandala. It looks rich without feeling heavy.
For: Wedding, Engagement, Festival
A spiral at the centre of the palm unwinds into a paisley, finished with fine leaf filigree and a scalloped edge. The spiral gives the whole design movement. It is graceful and unusual, a lovely change from standard florals.
For: Wedding, Engagement, Festival
A heart-shaped locket sits in the centre of the palm, framed by floral filigree, with two small linked hearts hanging beside it. The locket is left open inside to show the skin. Romantic without being heavy, it is perfect for engagements.
For: Wedding, Engagement, Festival
A sun-inspired mandala anchors the palm, with ornamental rays spreading outward, while slim lace panels run up the fingers. The rays give the design a bright, radiant energy. It suits haldi, festivals and day functions.
For: Wedding, Engagement, Festival
A crescent moon, a scatter of fine stars and a soft cloud outline float across the palm with plenty of space between them. Nothing is crowded. It has a dreamy, airy feel that is very popular right now.
For: Wedding, Engagement, Festival
A garland of layered daisies curves across the palm from the thumb side to the little finger, with tiny buds and lace-edged leaves between the flowers. The curve feels natural and relaxed. It is fresh and pretty for daytime events.
For: Wedding, Engagement, Festival
A finely patterned butterfly rests on the palm, its wings holding lace-like detail, while a delicate vine trails toward the middle finger. Open skin surrounds both. It is graceful and light, a lovely choice for haldi and mehndi functions.
For: Wedding, Engagement, Festival
A large mandala spreads across the back of the hand in rings of petals, dots and fine radiating lines, each ring a little more detailed than the last. The fingers get only slim bands, so nothing competes with the centre. When the colour darkens, the mandala looks almost carved into the skin.
For: Any festival, Wedding guest
Three layers of petals build this mandala outward: rounded at the core, pointed in the middle and scalloped at the edge. It sits right in the centre of the back of the hand, with clear skin all around. Simple to plan, satisfying to apply, and lovely in close-up photos.
For: Any festival, Wedding guest
A medium mandala anchors the back of the hand, and each finger carries a lace pattern that borrows its petal shapes. The repeated curves link the fingers to the centre. It looks finished from every angle without covering the whole hand.
For: Any festival, Wedding guest
Instead of the usual centre spot, the mandala sits low near the wrist and sends one slender vine climbing to a single finger. Most of the back of the hand stays bare. The off-centre layout feels fresh and pairs well with a watch or bracelet on the same wrist.
For: Any festival, Wedding guest
A full mandala blooms on the back of the hand while a smaller twin circles just above the wrist bone. The two are drawn with the same petal style, so they read as a pair. It is an easy way to make a mandala design feel longer and more graceful.
For: Any festival, Wedding guest
A round mandala holds the centre while crisp chevrons zigzag up every finger. The sharp angles play against the soft circular petals. It is a smart blend of traditional and geometric that suits Indo-western outfits.
For: Any festival, Wedding guest
A circle in the middle of the palm is filled with fine criss-cross checks, the traditional gol tikki every grandmother remembers. The fingertips are filled solid to match. Once the paste is off, the checks turn a deep, even red-brown.
For: Teej, Diwali, Raksha Bandhan
A ring of small rounded petals circles a plain tikki, turning it into a blossom in the centre of the palm. A few dots finish the outer edge. It is quick enough for busy festival mornings and always looks neat.
For: Teej, Diwali, Raksha Bandhan
A gol tikki is edged with a ring of dots, and four small leaves point outward like a compass. The leaves soften the circle and give it direction. It is a gentle, traditional choice for Teej, Diwali or Raksha Bandhan.
For: Teej, Diwali, Raksha Bandhan
A simple round tikki sits in the palm, and each finger carries just one small leaf pointing toward the tip. The design is sparse but balanced. Beginners can manage it easily, and it still looks traditional.
For: Teej, Diwali, Raksha Bandhan
A square is drawn inside a round tikki, its corners touching the circle, with fine lines filling the square. The shapes give a classic motif a geometric edge. It is neat, symmetrical and pleasing to the eye.
For: Teej, Diwali, Raksha Bandhan
Roses, daisies and tiny buds gather in a diagonal across the back of the hand, like a small hand-tied bouquet. Slim leaves tuck between the blooms to fill the gaps. It looks fresh and cheerful, perfect for haldi or a summer wedding.
For: Any festival, Wedding guest
One sunflower opens on the back of the hand, its centre packed with tiny seed dots and its long petals radiating outward. Two leaves sit beneath the stem. It is bright and happy, the kind of design that makes people smile.
For: Any festival, Wedding guest
A single large hibiscus spreads across the back of the hand, its wide petals ruffled at the edges and a long stamen curving out of the centre. A few broad leaves frame it. It has a tropical boldness that stands out in any crowd.
For: Any festival, Wedding guest
Small blossoms are scattered loosely over the back of the hand, some fully open and some still tight buds. There is no fixed line, which gives it a carefree, garden-like feel. Each application comes out slightly different, which makes it feel personal.
For: Any festival, Wedding guest
A bracelet of small petals circles the wrist, and one flower blooms on the middle finger to echo it. The bare skin between them keeps it airy. It is a light, elegant pick for kitty parties and small functions.
For: Any festival, Wedding guest
Flowers and leaves link into a ring on the back of the hand, leaving the skin inside the wreath bare. The circle frames the hand like a garland. It is an unusual floral layout that photographs beautifully.
For: Any festival, Wedding guest
One large rose fills the centre of the back of the hand, its petals shaded from deep at the core to light at the edges. That gradient gives the rose real depth. It is a single motif, yet it makes a big impression.
For: Eid, Wedding guest, Engagement
Roses bloom along a slim vine that runs from the little finger down to the wrist, with buds and leaves between them. The vine hugs the outer edge of the hand. It is romantic and flowing, a favourite with wedding guests.
For: Eid, Wedding guest, Engagement
Two roses sit side by side on the back of the hand, surrounded by softly shaded leaves. The pair forms a compact, balanced cluster. It is quick to apply yet looks polished and complete.
For: Eid, Wedding guest, Engagement
A long bel starts at the tip of the thumb and runs down the inner edge of the hand to the wrist. Small leaves line the stem on alternate sides. It is slim and elegant, ideal when you only have a few minutes.
For: Any festival, Karwa Chauth
Two vines travel down the back of the hand and cross just above the wrist, forming a soft X. Leaves and buds line both stems. The crossing point gives the eye a natural place to land.
For: Any festival, Karwa Chauth
A single tall fern leaf rises from the wrist across the back of the hand, its paired leaflets drawn with fine, even lines. Nothing else is added. It is botanical, minimal and very calming to look at.
For: Any festival, Karwa Chauth
A vine curls and loops across the back of the hand, with small buds dotted along the curves. The loops give it a playful, swinging rhythm. It is light, quick and suits almost any outfit.
For: Any festival, Karwa Chauth
Overlapping leaves run across the knuckles in a gentle arc from the index finger to the little finger. The garland sits just where rings would rest. It frames the hand neatly for both everyday and festive wear.
For: Any festival, Karwa Chauth
A lotus opens fully in the centre of the palm, its petals spread wide around a dotted heart. A ring of dots circles the flower like a soft glow. It is a natural fit for Diwali, Navratri and other festivals.
For: Diwali, Teej, Navratri
A lotus floats on curved ripple lines that widen toward the wrist, as if resting on a pond. The petals are drawn with fine inner veins. It has a calm, serene feel that suits pujas and festive mornings.
For: Diwali, Teej, Navratri
Small closed lotus buds sit on three fingers on the palm side, each with fine petal lines. The palm itself stays bare. It is delicate and traditional, a quiet alternative to full palm mehndi.
For: Diwali, Teej, Navratri
Three paisleys are stacked in a diagonal down the back of the hand, with slim leaves tucked between them. Each paisley holds fine inner detail, from dots to tiny checks. It is a timeless Indo-Arabic design that suits nearly any occasion.
For: Diwali, Eid, Wedding guest
One large paisley curves across the back of the hand, filled with fine patterns that change from section to section. The rest of the hand stays open. It is a bold, single-motif statement with plenty to look at up close.
For: Diwali, Eid, Wedding guest
Two paisleys curve toward each other on the back of the hand, their tips meeting to form a heart. Fine detail fills both shapes. It is a romantic design, made for engagements and anniversaries.
For: Diwali, Eid, Wedding guest
A fine net grid covers the back of the hand, framed by a border of small flowers. The even lines of the jaali contrast with the soft curves of the border. It looks intricate but stays light on the skin.
For: Wedding guest, Diwali
Diamonds repeat across the back of the hand in a neat jaali grid, with a tiny dot at each crossing. The pattern is precise and orderly. It gives a clean, structured look that suits festive outfits.
For: Wedding guest, Diwali
A jaali grid covers one diagonal half of the hand while the other half stays completely bare. The sharp dividing line gives the design a modern edge. It takes less time than full jaali yet looks detailed.
For: Wedding guest, Diwali
A peacock stands in the centre of the palm, and its tail feathers sweep up the fingers, each ending in a small eye. Fine fill surrounds the bird. It is a classic Rajasthani motif, rich with colour once the henna darkens.
For: Teej, Wedding guest
Two small peacocks face each other in the palm, their tails curving outward in mirror image. Fine fill and dots frame the pair. It is symmetrical and graceful, a favourite for Teej and Sawan.
For: Teej, Wedding guest
One long peacock feather runs from the wrist up the palm, its eye resting near the base of the middle finger. Fine barbs fan out along the shaft. It is graceful, quick and a lovely minimal take on Rajasthani style.
For: Teej, Wedding guest
Half-hand designs stop part way up the hand; full-hand designs cover it from fingertips to wrist. They take longer, so book enough time with your artist and allow for the paste to dry.
Fine checks and small paisleys fill one diagonal half of the palm and three fingers, while the other half stays clear. The split gives the look of full mehndi in about half the time. It is a smart choice when you are short of time.
For: Karwa Chauth, Teej, Wedding guest
A thick patterned border runs down one side of the palm from the wrist to the fingertips, packed with checks, dots and scallops. Everything else is left bare. It is bold and modern, and very quick to apply.
For: Karwa Chauth, Teej, Wedding guest
One side of the hand gets all the detail: the fingers on that side and a border along the palm edge. The other side stays plain. The asymmetry makes it look fresh and contemporary.
For: Karwa Chauth, Teej, Wedding guest
A half mandala rises from the edge of the palm, its layered petals opening toward the fingers. The rest of the palm stays open. It is a quick, stylish twist on classic mandala mehndi.
For: Karwa Chauth, Teej, Wedding guest
An open lotus blooms in the centre of the palm, surrounded by dense fill that runs from the wrist to every fingertip. The lotus is kept slightly open inside so it stands out against the busy background. It is a rich, traditional full-hand design.
For: Wedding, Bridesmaid, Festivals
Large Arabic-style florals cover the whole palm from the wrist to the fingertips, with narrow gaps of skin between them. The flowers are bold and the leaves sweep between them. It looks full and festive without feeling heavy.
For: Wedding, Bridesmaid, Festivals
A large mandala fills the middle of the palm, and fine checks spread around it up to the fingertips. The checks act as a backdrop, making the mandala pop. It is a detailed traditional design for weddings and big festivals.
For: Wedding, Bridesmaid, Festivals
A fine jaali net covers the entire palm, held in by a floral border at the wrist and along the fingertips. The net is drawn with thin, even lines. It looks intricate and elegant, like lace laid over the hand.
For: Wedding, Bridesmaid, Festivals
Horizontal bands of different floral patterns stack from the wrist to the fingertips, each band with its own motif. The variety keeps the eye moving down the hand. It is a structured full-hand design that never feels repetitive.
For: Wedding, Bridesmaid, Festivals
Designs for the whole wedding party: full bridal (dulhan) sets, simpler bridal options, dulha-dulhan figures, sisters and bridesmaids, grooms, engagement and guest designs. Bridal sets take hours, so book the artist early and agree on coverage in advance.
Both hands and forearms are covered from the fingertips to the elbows, palms and backs alike, with mandalas, paisleys, jaali and fine fill flowing into each other. Bands at the wrists and elbows frame the work. This is the grand, traditional bridal look, worth every hour of sitting still.
For: Wedding
A central mandala blooms on each palm, surrounded by checks and jaali that run to the fingertips. The two hands mirror each other. Held together, the palms look like one perfectly balanced piece of art.
For: Wedding
Full bridal fill covers both palms, and the partner's initials are tucked inside one of the flowers. Guests and the groom often hunt for them later, a playful wedding tradition. The design stays rich and traditional while hiding a personal secret.
For: Wedding
A palace scene stretches across both palms, with domes, arches, windows and tiny balconies drawn in fine detail. Floral fill surrounds the architecture. It is a storytelling bridal design that guests love to study up close.
For: Wedding
Arches rise from the wrists and frame panels of fine jaali that run to the fingertips on both palms. The architecture gives the dense work a clear structure. It is a rich, regal bridal design.
For: Wedding
Peacocks and lotuses weave through dense bridal fill on both palms, placed so the two hands balance each other. The birds and flowers stand out against the fine background work. It is traditional, symbolic and full of colour once the henna darkens.
For: Wedding
A doli is carried along one forearm in fine figure work, with bridal fill around it on both palms and forearms. The scene captures the bride's farewell in a single image. It is an emotional, storytelling design for brides who love figure mehndi.
For: Wedding
Dense patterns cover the backs of both hands, with matching finger caps on every finger. The two hands mirror each other perfectly. Held side by side for photos, they look stunning.
For: Wedding
Fine florals run from the wrist to the fingertips on both palms, with generous bare skin between them. The open spaces give a soft, airy finish. It is ideal for brides who want bridal mehndi without heavy coverage.
For: Wedding
Separate patterned bands cross both palms, with strips of bare skin between them. Each band carries its own motif, from florals to checks. It is a structured, modern take on bridal mehndi.
For: Wedding
One mandala sits at the centre of each palm, with light patterns on the fingers. The two hands match. It is elegant and minimal, a beautiful choice for intimate weddings.
For: Wedding
Arabic florals sweep across both palms, lighter than full bridal but still bold. Open skin between the flowers keeps the design airy. It suits brides who want impact without hours of work.
For: Wedding
Thin filigree lines, small arches and dotted borders spread across both palms with open gaps throughout. Every detail is delicate and precise. It is a refined, minimal bridal design that feels very modern.
For: Wedding
The groom's portrait is drawn on one palm and the bride's on the other, from the turban and sehra to the nath and dupatta. Fine fill frames each face so the figures stand out. When the bride holds her hands together, the couple appear side by side.
For: Wedding
The couple stand together beneath a decorated arch that spans both palms. Floral fill and small lanterns surround the arch. It is a romantic scene that turns the bride's hands into a wedding portrait.
For: Wedding
A groom rides a decorated horse along one forearm, leading his baraat with drummers and dancers. Bridal patterns fill both palms and forearms around the scene. It captures the excitement of the wedding procession in henna.
For: Wedding
The bride is drawn on one palm and the groom on the other, each holding a garland toward the other. When the palms come together, the garlands meet in the middle. It is a beautiful way to capture the varmala moment.
For: Wedding
Medium-dense florals flow from the fingertips down to the wrist on the back of the hand. The flowers are layered with leaves and small fillers. It looks rich enough for a sister of the bride while staying lighter than bridal mehndi.
For: Wedding, Sangeet
A diagonal panel of paisleys with jaali fill crosses the back of the hand, finished with a narrow border at the wrist. The panel leaves open skin on both sides. It is elegant and detailed, ideal for the bride's sister.
For: Wedding, Sangeet
A diagonal trail of three small blossoms and a single finger band is repeated on every bridesmaid's hand. Matching mehndi looks lovely in group photos. It is quick enough for an artist to apply to several people in one sitting.
For: Wedding, Sangeet
Bold Arabic flowers sweep across the back of the hand in an open diagonal, with clear space between each motif. The thick outlines dry fast. It is perfect for sangeet night, when you want mehndi that looks great while you dance.
For: Wedding, Sangeet
Lace bands decorate only the backs of the fingers, while the back of the hand and the palm stay bare. The bands combine scallops, dots and small petals. It is a smart option for bridesmaids who need their palms free for rituals.
For: Wedding, Sangeet
A central initial sits in the groom's palm, framed by a refined medallion of paisleys and leaves. The design is compact and neat. It lets the groom join the mehndi ritual with a subtle, personal touch.
For: Wedding (groom)
A compact ornamental mandala sits in the groom's palm, combining petal layers, geometric fill and a scalloped edge. It is detailed but small. It suits grooms who want something more than a dot without heavy mehndi.
For: Wedding (groom)
A fine band wraps the groom's ring finger like an engraved ring, filled with geometric lace. Nothing else is decorated. It is subtle, masculine and very elegant.
For: Wedding (groom)
A narrow cuff circles the groom's wrist, packed with interlocking paisleys and geometric details. Clean borders frame it. It looks like a heritage bracelet and peeks out neatly from a sherwani sleeve.
For: Wedding (groom)
A compact lotus medallion sits in the centre of the groom's palm, surrounded by geometric filigree. It is traditional and refined. It is a meaningful choice for grooms who want a small, symbolic design.
For: Wedding (groom)
Fine detail circles the ring finger and spreads just onto the back of the hand, while the rest stays light. The focus draws every eye to where the ring will sit. It is made for engagement photos.
For: Engagement
The couple's initials sit inside a small heart on the back of the hand. A few dots and tiny leaves frame the heart. It is a sweet, personal design for engagements.
For: Engagement
A ring shape wraps the finger, with small flowers clustered on top like a gemstone setting. The rest of the hand stays plain. It is a playful, romantic choice for engagements and proposals.
For: Engagement
A light Arabic diagonal runs across the back of the hand and ends at the ring finger. The flowers grow smaller as they approach the ring. It guides the eye straight to the engagement ring.
For: Engagement
A flowing vine crosses the back of the hand, mixing fine roses, small paisleys and open leaf lace. Bare skin surrounds the vine. It is graceful and quick, ideal for wedding guests.
For: Wedding, Engagement, Festival
A few bold flowers sit on the back of the hand, spaced widely with leaves between them. The outlines are thick and dark. It is quick to apply, so artists can cover many guests at a mehndi function.
For: Mehndi function, Wedding guest
A slim floral cuff circles the wrist, holding three layered blossoms and delicate leaf filigree. The rest of the hand stays bare. It is elegant, fast and pairs well with bangles.
For: Wedding, Engagement, Festival
A statement rosette sits on the back of the hand, framed by fine leaf lace. The design stays open and polished. It looks refined enough for a reception while taking only minutes to apply.
For: Wedding, Engagement, Festival
Rajasthani-, Pakistani- and Moroccan-inspired patterns, plus arches, lattices and geometric grids. The labels describe the look of each design, not where it was first drawn.
Three chevron panels cross the palm and fingers, filled with fine jaali, leaf lace and open bands. The zigzags give the design a sharp, modern energy. It is detailed yet structured.
For: Wedding, Engagement, Festival
An open triangular frame sits on the palm, with geometric lace along its edges and small lotus details at its corners. The centre of the triangle stays bare. It is a fresh, geometric take on traditional palm mehndi.
For: Wedding, Engagement, Festival
Checks, paisleys, dots and fine lines are packed edge to edge from the wrist to the fingertips, leaving almost no bare skin. This is Marwari mehndi at its most traditional, the kind once applied on every bride in a Rajasthani household. As it darkens, the whole palm takes on a deep, even maroon.
For: Wedding, Teej, Bridesmaid
An elephant stands beneath a carved jharokha arch, its body draped in a patterned cloth and a tiny tassel on its forehead. Fine fill and small flowers surround the scene. It brings the grandeur of Rajasthan's palaces straight onto the palm.
For: Wedding, Teej, Bridesmaid
A Rajasthani woman spins in a flared ghagra, her skirt opening into a wide circle of pleats across the palm. Her veil, bangles and raised arms are drawn in fine lines. The design seems to move, capturing the joy of a ghoomar performance.
For: Wedding, Teej, Bridesmaid
A camel walks across the palm in front of a palace silhouette with domes and turrets. Fine fill around the scene suggests desert dunes and a setting sun. Every detail comes alive as the colour deepens.
For: Wedding, Teej, Bridesmaid
Heavy blocks of checks and paisleys alternate from the wrist up to the fingertips, like squares on a patchwork quilt. Each block is outlined boldly to keep the pattern clear. It is dense, traditional and impossible to miss.
For: Wedding, Teej, Bridesmaid
Rows of diamonds run from the knuckles to the wrist, each one outlined crisply with a dot at its centre. The repeating geometry recalls the tiled walls of a Moroccan courtyard. It looks clean and cool, a stylish change from florals.
For: Any festival, Party
Small triangles stack up each finger, alternating between filled shapes and open outlines. The back of the hand stays bare. The sharp angles give the fingers a striking, modern edge.
For: Any festival, Party
A honeycomb of hexagons spreads across the back of the hand, some cells left open and others holding a dot or filled solid. The mix of open and filled cells creates texture without clutter. It looks neat, modern and quietly intricate.
For: Any festival, Party
A fine grid of thin lines covers the back of the hand, with a single dot placed in each square. The simple repetition looks almost like woven fabric. It suits people who love order and precision.
For: Any festival, Party
Each flower is shaded from deep brown at the base of the petals to pale at the tips, giving it real depth. Very fine filler lines fill the gaps around the flowers. It is the delicate, detailed look Pakistani-style mehndi is known for.
For: Eid, Wedding
Shaded florals cover the entire palm, with petals blending softly into one another. Hair-thin fillers fill every space between the blooms. The finished palm looks luxurious, perfect for Eid or a wedding.
For: Eid, Wedding
A trail of shaded flowers flows from the wrist to the tip of the index finger, surrounded by fine filler lines. Part of the palm is left bare beside the trail. It gives the richness of shading work without full coverage.
For: Eid, Wedding
Arches rise from the wrist one above another like palace windows, each filled with fine lattice. They grow smaller as they climb toward the fingers. The layered architecture gives the palm a regal, Mughal-inspired grandeur.
For: Wedding, Eid
A single arch rises in the palm, topped with a small dome and filled with delicate lattice. Tiny details along the edge suggest carved stone. It looks like a miniature monument drawn in henna.
For: Wedding, Eid
A small arch sits on each finger on the palm side, each filled with fine lines like a tiny window. The palm itself stays bare. It adds architectural detail in a light, wearable way.
For: Wedding, Eid
Feet designs for brides and festivals, plus forearm designs that continue past the wrist. Toes and soles usually stain dark. Keep your feet up and dry while the paste sets.
A flowing vine runs across the top of the foot from the big toe to the ankle, joining layered lotus blossoms and fine leaf lace. Bare skin on either side keeps it graceful. It looks especially pretty with open sandals and juttis.
For: Wedding, Engagement, Festival
A lace anklet wraps the ankle, and a fine chain runs from it to a small ring on the second toe. It looks like a silver payal, only drawn in henna. It is quick to apply and perfect with flat sandals.
For: Wedding guest, Teej, Any festival
Open floral cutwork decorates the toes, and a delicate band of petals runs across the top of the foot to join them. The design stays light and refined. It peeks out beautifully from under a lehenga or saree.
For: Wedding, Engagement, Festival
Small flowers trail along the outer side of the foot, from the little toe toward the heel. The top of the foot stays bare. It is subtle, but it catches the eye with every step.
For: Wedding guest, Teej, Any festival
An ornamental cuff circles the ankle, with a lotus at its centre, fine lattice wings on either side and pearl-like drops hanging below. It mimics heavy temple jewellery. It looks especially stunning with traditional silk sarees.
For: Wedding, Engagement, Festival
The top of the foot is covered right up to the ankle with checks, paisleys and fine lines, and each toe wears a solid cap. A patterned band finishes the ankle. It is the timeless bridal foot design, rich and complete.
For: Wedding
A fine jaali net covers the top of the foot, held in by a floral border at the ankle and a row of small flowers above the toes. The even lattice looks like lace. It is an intricate yet light option for brides.
For: Wedding
A mandala blooms in the centre of the top of the foot, its petals radiating toward the ankle and toes. Every toe is filled solid. It is bold and symmetrical, and photographs beautifully at the pheras.
For: Wedding
An open vine starts at the fingertips, crosses the back of the hand and climbs the forearm to the elbow. Leaves and flowers are spaced widely along it, leaving lots of bare skin. It makes a dramatic statement with surprisingly little coverage.
For: Wedding, Sangeet
A broad panel of bold Arabic flowers and sweeping leaves wraps the forearm like a sleeve. The hand itself stays lighter. It is made for sleeveless blouses and sangeet nights.
For: Wedding, Sangeet
Four patterned bands are spaced evenly up the forearm, with bare skin between them, each band carrying its own motif. Simple finger caps finish the hand. The rhythm of pattern and space gives it a modern, structured feel.
For: Wedding, Sangeet, Festivals
Designs for Karwa Chauth (also spelled Karva Chauth), Teej, Eid, Diwali, Raksha Bandhan and Navratri. Most put one festival symbol on the palm, such as a sieve and moon, a diya or a rakhi, and finish quickly enough to apply the evening before.
A chalni (sieve) and a full moon sit side by side in the palm, the two symbols at the heart of the Karwa Chauth ritual. Fine fill, dots and a few flowers frame them. It is the most recognisable Karwa Chauth design of all.
For: Karwa Chauth
One palm shows a woman gazing at the moon through her sieve, and the other shows her partner's silhouette waiting for her. When the palms are held together, the two complete the scene. It is a romantic design, especially for a first Karwa Chauth.
For: Karwa Chauth
A decorated karwa pot sits near the wrist, its belly patterned with checks and dots. Flowers rise from its mouth up the palm. It brings the festival's traditional vessel to life in henna.
For: Karwa Chauth
A small crescent moon sits on the ring finger, paired with a light floral pattern in the palm. The design is quick but meaningful. It suits women who are fasting and short of time on the day.
For: Karwa Chauth
A woman holds up a sieve, her saree and jewellery drawn in fine detail, framed by delicate florals. Her pose captures the moment of looking at the moon. It is a storytelling design that celebrates the ritual.
For: Karwa Chauth
A woman sways on a jhoola hung from a tree branch, surrounded by leaves and creepers. Her flowing lehenga and the ropes of the swing are drawn in fine lines. It captures the carefree joy of Hariyali Teej.
For: Teej
Leaf motifs and bangle-shaped bands wrap the wrist, echoing the green bangles women wear for Teej. Small dots link the bands together. It is quick, festive and pairs beautifully with real bangles.
For: Teej
A peacock spreads its feathers under a shower of falling rain drops, the drops scattered around it in the palm. The feathers are drawn with fine detail. It captures the romance of the monsoon festival.
For: Teej
Soft clouds float across the palm with rain drops falling from them, some outlined and some filled. The fingers carry a few extra drops. It is playful and fresh, perfect for Teej and Sawan.
For: Teej
A crescent moon and tiny stars hang along a slender vine that curves from the fingers to the wrist. Small leaves sit between them. It is a graceful design that captures the night of Eid.
For: Eid
A lantern hangs from a leafy vine on the back of the hand, its panels filled with fine lattice. A few stars glow around it. It is elegant and festive, perfect for Eid celebrations.
For: Eid
Bold Arabic flowers sweep across the back of the hand and end at a small crescent moon at the wrist. The crescent adds a festive touch to a classic style. It is an easy, stylish choice for Eid.
For: Eid
A bracelet of small stars circles the wrist, each star filled solid and evenly spaced. Nothing else is added. It is quick, sparkly and goes with any Eid outfit.
For: Eid
A diya sits in the centre of the palm, its tall flame rising above it and dotted lines radiating like a warm glow. A few petals rest at its base. It brings the light of Diwali straight onto the hand.
For: Diwali
A diya sits at the heart of a rangoli-style border made of petals, dots and curves. The border fills the centre of the palm in a neat circle. It brings the doorstep rangoli tradition onto the hand.
For: Diwali
A kandil lantern hangs in the palm from a dotted string tied at the middle finger. Its panels are filled with fine patterns and tassels dangle below. It is a cheerful Diwali design that looks great in festive photos.
For: Diwali
A rakhi thread crosses the wrist, with a small flower at its centre and tiny blooms along its length. It looks just like a rakhi drawn in henna. It is a sweet design for sisters of every age.
For: Raksha Bandhan
A decorative rakhi knot sits in the centre of the palm, its loops and tassels drawn in fine detail. Small dots frame the knot. It is a festive way to celebrate the bond between siblings.
For: Raksha Bandhan
Light florals surround a small rakhi flower in the centre of the palm. The design is quick and pretty. It suits little girls and grown-up sisters alike on Raksha Bandhan.
For: Raksha Bandhan
Two patterned dandiya sticks cross inside a fine medallion of lotus petals and paisleys in the palm. The sticks carry small checks and bands. It is a festive design made for Navratri nights.
For: Navratri
A garba dancer twirls across the palm, her flared chaniya choli opening into a wide circle. Her raised arms and swirling dupatta are drawn in fine lines. It captures the energy of Navratri nights.
For: Navratri
No designs match all of those choices.
Hosting a mehndi function? Look for a space with bright, even light, comfortable low seating and room for guests to sit while their paste dries before dinner is served.
Find a venue for your mehndi functionStart with a single flower on the palm, dotted fingers or a short vine. The simple front hand section uses one or two motifs with open skin, so mistakes are easy to hide.
Many artists suggest at least four to six hours, and overnight for bridal mehndi. Longer contact usually gives a deeper stain. Scrape the dry paste off rather than washing it.
Our estimates for the full bridal sets in this guide range from about 4 to 6 hours, depending on coverage and fill. Agree the coverage with your artist in advance and book enough time.
Arabic mehndi usually has bold flowers and leaves in a diagonal trail with open skin. Traditional Indian mehndi fills more of the hand with fine detail such as paisley, jaali and figures.
Avoid it. Natural henna stains orange to reddish brown. Black henna can contain PPD, which can cause serious skin reactions.
